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	<title>Skin of Stars &#187; Media</title>
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		<title>dConstruct 2010 &#8211; Brendan Dawes &#8211; Boil, Simmer, Reduce</title>
		<link>http://skinofstars.com/2010/11/dconstruct-2010-brendan-dawes-boil-simmer-reduce/</link>
		<comments>http://skinofstars.com/2010/11/dconstruct-2010-brendan-dawes-boil-simmer-reduce/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 23:29:39 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Internet]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Programming & Design]]></category>
		<category><![CDATA[dConstruct2010]]></category>

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		<description><![CDATA[Another dConstruct2010 post, this time: Brendan Dawes &#8211; Boil, Simmer, Reduce Brendan didn’t really have as structured a talk, and one wonders if perhaps he relied more on gimmicks in his slides than the message he was trying to convey. The method he calls ‘Boil, Simmer, Reduce’ is basically his three part plan in creating a product. Frankly it seems<a href="http://skinofstars.com/2010/11/dconstruct-2010-brendan-dawes-boil-simmer-reduce/"> ...&#160;Read the remaining 588 words</a>]]></description>
			<content:encoded><![CDATA[<p>Another dConstruct2010 post, this time: Brendan Dawes &#8211; Boil, Simmer, Reduce</p>
<p>Brendan didn’t really have as structured a talk, and one wonders if perhaps he relied more on gimmicks in his slides than the message he was trying to convey. The method he calls ‘Boil, Simmer, Reduce’ is basically his three part plan in creating a product. Frankly it seems a very logical, if not slightly fluffy minded way to work.</p>
<p><strong>Boil</strong><br />
This is basically filling your head with stuff. So it’s just about throwing anything and everything in to the ideas pot. When you embark on a development process you are already indirectly thinking about it all the time, whether you are watching a film, reading a fictional book or just contemplating the meaning of life. The premise is just to be grabbing ideas from all over the place and throwing them all in.</p>
<p>He also pointed out when discussing shots from films he likes that symmetry in itself makes things pretty.</p>
<p><strong>Simmer</strong><br />
This is looking at all considerations of what you want. It is important that you’re not considering technical restrictions, but rather getting down to the nub of what you’d like to do. As with the Boil stage, there are no rules, you can really just do whatever you like.</p>
<p>Around this point Brendan suggested that good design can breed good behaviour. He spoke of work he did for a tourist information office using Microsoft Surface as a map display. There were discs which they would place on the surface which would represent hotels, and by placing that on the map it would create a ring around that item with dots showing where the hotels are in that surrounding area. By turning the disc it would amplify the area of interest. This was in Manchester and it was quite a rough area of the centre of town &#8211; “a high proportion of scallies”. The place was concerned that the discs would get stolen. But it was a beautiful space that they created through design, and nothing was stolen. He argued that this proved his belief that “good design can bring good behaviour”.</p>
<p><strong>Reduce</strong><br />
“A design is finished when there is nothing left to take away”. Take the iPhone. It’s such a simple design, one button, an absolute minimum and it’s the sort of thing where anything can be placed on it. It can be anything you want it to be.</p>
<p>You should justify everything shown on a screen. This doesn’t necessarily mean that everything must serve a purposeful action. His favourite thing about the iPhone was that when you scroll up  and get to the top, it creates a little bit of space with nothing underneath which simply springs back when you let go. This doesn’t really serve a purpose, bar perhaps a small mental indicator. It is just a little piece of aesthetic satisfaction. It’s just nice. That in itself can justify the feature.</p>
<p>He talked a bit about how he made something for the iPhone which was born out of a need. He wanted to watch a film on a train journey and couldn’t get his iPhone to sit in a good position, so he made a simple piece of cardboard that evening that would just clip onto the side. They thought it was sell-able and went through a few iterations. There was one which was so close to being right but it just wasn’t quite there. They then decided to apply Da Vinci’s Golden Ratio to the position of the cut in the rectangle. That was it. Fixed.</p>
<p>He also mentioned how he thinks the pencil is absolutely wonderful in design. A few of reasons he mentioned were:</p>
<p>1) It has a big arrow pointing to which end you use.<br />
2) Built-in progress bar.<br />
3) You can cut it up, and make many more of the same with it.</p>
<p>New ideas like this still apply to the old and best designed products.</p>
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		<title>dConstruct 2010 &#8211; Marty Neumeier &#8211; The Designful Company</title>
		<link>http://skinofstars.com/2010/11/dconstruct-2010-marty-neumeier/</link>
		<comments>http://skinofstars.com/2010/11/dconstruct-2010-marty-neumeier/#comments</comments>
		<pubDate>Sat, 06 Nov 2010 18:31:46 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[Programming & Design]]></category>
		<category><![CDATA[dConstruct2010]]></category>

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		<description><![CDATA[The theme of dConstruct 2010 was Design &#38; Creativity. Marty Neumeier &#8211; The Designful Company As I’m sure you can imagine, I only made some quick notes as I was listening to the talk, so what you will find here is an amalgamation of the talk and my own thoughts. Please do not consider this as their words or even<a href="http://skinofstars.com/2010/11/dconstruct-2010-marty-neumeier/"> ...&#160;Read the remaining 1204 words</a>]]></description>
			<content:encoded><![CDATA[<p>The theme of <a href="http://2010.dconstruct.org/">dConstruct 2010</a> was Design &amp; Creativity.</p>
<p>Marty Neumeier &#8211; The Designful Company</p>
<p>As  I’m sure you can imagine, I only made some quick notes as I was  listening to the talk, so what you will find here is an amalgamation of  the talk and my own thoughts. Please do not consider this as their words  or even mine.</p>
<p>I  don&#8217;t know much about any of the dConstruct speakers &#8211; Marty from first  appearance was a middle aged gentleman, smart with suit jacket, jeans  and shoes.  This seemed to be a common style amongst the new media gang.  Fashion aside, Marty&#8217;s talk was a discussion on branding and getting a  good product within a brand. To this end he reference many tech business  luminaries, though like most people there he was an Apple-afficianado.  For example, he was fond of a particular Steve Jobs anecdote. ‘After a  marked increase in sales, Jobs was asked “how do you intend to keep this  up?” To which he replied: “we intend to keep innovating”’. Marty had a  theme which he both uses as his opener and closer, very neatly done too,  and it is simply this: &#8220;If you wanna innovate, you gotta design&#8221;.</p>
<p>Marty’s  assertion was that Harvard business school teaches by case study,  solving problems by looking how they have been solved previously. This  is counter to successful tech businesses and brands, as is testament  with Jobs’ statement of the importance of innovation.</p>
<p>So  he talked about what really gets a product there is where you need to  be designing, on that edge between radical and useful, those differences  between what&#8217;s good and different. He talks about that traditional  style brand-development where to go for something different is a risk,  and many a CEO wouldn&#8217;t take that risk. The problem is if you don&#8217;t take  that risk, there is a good chance of the brand dropping into obscurity.  Consider the ubiquity of swoosh logos and then globe logos and how  their commonness means the brand becomes unmemorable.</p>
<p>So,  what are some of the most successful brands and how does one get there?  Marty presents a path to follow in brand development where you have the  vision at one end of the scale, and the product at the other end of the  scale. He suggests that to be successful you&#8217;ve got to get from one end  of that scale to the other. The path to follow has three stages:  knowing, making and doing. It is to this end that you need a clear  visionary that can manage these stages. One needs a leader who can  picture the goal, has the resources available to build the product and  impetus to actually put this together without diluting the vision or  compromising on the product development.</p>
<p>Marty  also talked about how business is speeding up&#8230;  I&#8217;ll be honest, I&#8217;m  doubtful, I feel this is a cliche statement that many people make based  on regurgitation. Still, he made a fair point and one that is difficult  to dispute, but it could do with some kind of citation. &#8220;There are now  more financial transactions in one day than the whole of 1965&#8243;.</p>
<p>So,  what do consumers want? Well, we&#8217;ve always said these things: Pick two;  good, cheap or fast. What he pointed out though, is that consumers have  a new demand, they want free, perfect, now. So if you want your product  to be successful you&#8217;ve got to give it everything. Let’s be honest,  this is something we expect when one considers products like Google  docs.  He then pointed out that just to be free, perfect and now isn’t  necessarily enough! In an ever-cluttered market place you have to be really  different, not just a little bit different, but really different. He  talked about how we organise information in our mind using categories  and compartmentalisation. So what you’re ideally looking for in a  product is to get it in one of those compartments by itself.  So take  the example of a smart phone &#8211; you want to have your product there by  itself, like the iPhone, which for some time everyone thought of as the  only smart phone. A successful brand is a walled category.</p>
<p>Historically,  to make your product a successful one you would have started with  factories. By having factories you can product more than anyone else,  you can supply for the demand, you’d be at an advantage. When others  realised this and everyone built factories, the next step was to get the  most capital, allowing you to buy out the competition. After capital  was patents. Patents were a means of securing your market. Of course  they can only work for so long. So the final stage is where we are at  now, brands. This saves a certain amount of process because in people’s  own minds they will compartmentalise and protect your brand for you as a  consumer. So, to summarise, we are talking about how in the past it was  very much physical &#8211; factories and a physical present which keeps your  product dominant in the market, whereas now it’s a mental thing within  the mind of the consumer.</p>
<p>If  a brand is good and different, it’s a gut feeling. Your brand is what  the consumer says it is and for you to stand out, that’s where you have  to be really different. Example &#8211; if we have Nike, do we need Reebok? Do  we need Wimpy if we have McDonald’s?  A brand has to be truly radical  and good, which is indeed a big risk.</p>
<p>I  think in all the Apple-loving I heard on this day there is a tech brand  that is more ubiquitous than iProducts will ever be: Linux. How  different is that? Totally radical, and it’s everywhere. Just my 2p.</p>
<p>Marty  presented a scale with which to measure brand success using the  variables of good versus different on the z and y axes. He believed a  brand generally fell into one of four sectors:</p>
<p>1) good, not different &#8211; common, does well in tests, and at first sales, but never really dominates its market.<br />
2)  good and different &#8211; this is the sweet spot. Often does poorly in  tests, which means if often won’t get to market, slow in market, but  customers will in time equate the weirdness to good : and eventually it  will take a dominant position in the market. Example: Aeron chairs.  (btw, I love Aeron chairs <img src='http://skinofstars.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /><br />
3) not good and different &#8211; won’t do well in tests, and won’t be successful, people will equate weird to bad.<br />
4)  not good and not different &#8211; you just don’t want to be here, do you?  But, this one often does well in tests because it’s not different, so  it’s familiar to people. But it doesn’t challenge.  A surprising amount  of products sit here, like Gillette fusion razors. Five blades. Five.  Whoop-de-doop. Not exactly going to dominate the market.</p>
<p>As your brand visionary leader man, there are four key things you need:<br />
1) empathy<br />
2) intuition<br />
3) experience<br />
4) judgement</p>
<p>Let’s finish how Marty did. If you wanna innovate, you gotta design.</p>
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		<title>How We Read The Web</title>
		<link>http://skinofstars.com/2009/02/how-we-read-the-web/</link>
		<comments>http://skinofstars.com/2009/02/how-we-read-the-web/#comments</comments>
		<pubDate>Sat, 21 Feb 2009 14:19:07 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Internet]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Programming & Design]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[usability]]></category>

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		<description><![CDATA[I&#8217;ve been looking at some interesting research regarding the manner in which users read web pages. I&#8217;d come across click mapping previously (links below), software that records where users click, but the Nielsen Norman Group&#8217;s eye tracking study follows where users actually look. Though their study tends to focus on commerce aspects (how much do users look at your adverts?)<a href="http://skinofstars.com/2009/02/how-we-read-the-web/"> ...&#160;Read the remaining 423 words</a>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been looking at some interesting research regarding the manner in which users read web pages. I&#8217;d come across click mapping previously (links below), software that records where users click, but the <a href="http://www.useit.com/eyetracking/">Nielsen Norman Group&#8217;s eye tracking study</a> follows where users actually look. Though their study tends to focus on commerce aspects (how much do users look at your adverts?) it is also fascinating stuff for those of us wanting to create clean and clear designs.</p>
<p>First thing that&#8217;s worth noting, users rarely spend time looking where you want them to. They tend to follow common patterns, the most notable being the F pattern (a couple of quick horizontal scans of the page as we head down it). This means it is for us, the designer, to be aware of this and place our most important content in these areas. One might argue that a regular visitor would know where the most important information on a site is held, yet anyone with any sense knows that we want to make a site clear for everyone.</p>
<p>Now for banners and adverts/promotions. I&#8217;m not going to say how to get people to read them (in fact, I&#8217;d recommend getting <a href="https://addons.mozilla.org/en-US/firefox/addon/1865">AdBlock Plus</a> to just cleans the web of them!), but if you want to ensure people read all information on your page then make sure that it doesn&#8217;t look like an advert. Users have an automatic tendency to ignore anything that looks like a promotion.</p>
<p>Next up I&#8217;ll point to <a href="http://www.useit.com/alertbox/9710a.html">Nielson&#8217;s study on how pages are read</a>. The key point is that people don&#8217;t read, they scan. If you want to make life easy then you could put important anchor words in bold to aids the reader down the route you&#8217;d like them to take. When you&#8217;re marking this up in HMTL consider whether you should use the &#8216;b&#8217; or the &#8216;strong&#8217; tags. Are you merely creating a visual guide (b/i) or do you want to emphasise a word (strong/em)?</p>
<p>The final point I&#8217;ll pick up from Nielson is his <a href="http://www.useit.com/alertbox/screen_resolution.html">discussion on screen sizes</a>. Nothing surprising here, most people use 1024&#215;768, that&#8217;s a laptop widescreen. One thing I&#8217;d like to add to is the misconception that laying out a web page is like laying out for a newspaper or a magazine. Screen sizes and resolutions are not fixed, there is no &#8216;above the fold&#8217;, like we find in newspapers. Even different choices of preferred system fonts or different browsers have an impact on where the cut-off will be on different machines. Interestingly, Neilson does point towards making site layouts fluid for different. Though I don&#8217;t consider this such a hard n&#8217; fast rule, I&#8217;d like to point you CSS monkey&#8217;s <a href="http://www.456bereastreet.com/archive/200504/fixed_or_fluid_width_elastic/">456 Berea St&#8217;s article on elastic layouts</a>.</p>
<p>That&#8217;s it for this week folks. Happy building.</p>
<p><em>Some further linkage:</em></p>
<p>* A wordpress clickmap: http://www.rogerstringer.com/projects/wpclickmap</p>
<p>* A more general use clickmap using PHP and  JQuery: http://css-tricks.com/tracking-clicks-building-a-clickmap-with-php-and-jquery/</p>
<p>* Strong or Bold? http://www.think-ink.net/html/bold.htm</p>
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		<title>&#8220;It&#8217;s all in the game&#8221; &#8211; Balitmore Traditional.</title>
		<link>http://skinofstars.com/2009/02/its-all-in-the-game-balitmore-traditional/</link>
		<comments>http://skinofstars.com/2009/02/its-all-in-the-game-balitmore-traditional/#comments</comments>
		<pubDate>Mon, 16 Feb 2009 23:24:30 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[tv]]></category>

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		<description><![CDATA[Like many of you I&#8217;m sure, I&#8217;ve watched my fair share of TV. For the last two and a half years though I&#8217;ve not had one. My occasional glimpses of whats on the box are during visits to friends and family. Still, I don&#8217;t feel this is a loss at all, when I want something to watch I simply use<a href="http://skinofstars.com/2009/02/its-all-in-the-game-balitmore-traditional/"> ...&#160;Read the remaining 363 words</a>]]></description>
			<content:encoded><![CDATA[<p>Like many of you I&#8217;m sure, I&#8217;ve watched my fair share of TV. For the last two and a half years though I&#8217;ve not had one. My occasional glimpses of whats on the box are during visits to friends and family. Still, I don&#8217;t feel this is a loss at all,  when I want something to watch I simply use the all mighty Interwebulator. Not only does the BBC provide a fantastic service, there are many other places to get quality content. The fact of the matter is that I feel it has made me all the more selective about what I do watch. Yet another generic home improvement or reality TV show just doesn&#8217;t make the grade. Despite this I&#8217;ve still found myself watching some absolute trash, recent seasons of Heroes and Lost come to mind. But today I&#8217;m not wanting to talk about what is rubbish, I think you can decide that for yourself, I want to tell you about one of the best shows I have seen in many many years; <a href="http://en.wikipedia.org/wiki/The_Wire_(TV_series)">The Wire</a></p>
<p>The Wire is at it&#8217;s most simplistic level a cops and criminals affair. Set in Baltimore, each season follows an ever expanding ensemble cast through different themes; drugs, the docks, politics, education and the media. The most striking aspect though is that a balanced amount of time is spent on each side of the different groups and equal measures of justice and injustice are received by both. Watching it you find yourself rolling through empathy, admiration and revulsion at both the prominent as well as the more obscure characters. You also find subtle points of interest are dropped in which later allow for little in-jokes for the more observant viewers. The Wire is a rich tapestry which doesn&#8217;t beg for your attention with tacky ploys like explosions or excessive violence. To the contrary, it is often quiet, considered and will punish you if you were not paying enough attention before. There are no neat, self-contained episodes like CSI or NYPD Blue, you need to watch it as a whole. Don&#8217;t let that put you off though, it pays back your efforts ten fold. If you only watch one TV show this year, watch The Wire.</p>
<p>Still not convinced? <a href="http://www.youtube.com/watch?v=sZ2iGYwdEi8">See what Charlie Brooker thinks of The Wire</a></p>
<p>This has caused me a problem though. I was fussy with my TV before, now my standard is going to be unbearably high. I hope that the next show made by The Wire&#8217;s creators, <a href="http://en.wikipedia.org/wiki/Generation_Kill">Generation Kill</a>, will meet these expectations.</p>
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		<title>Mid Feb</title>
		<link>http://skinofstars.com/2009/02/mid-feb/</link>
		<comments>http://skinofstars.com/2009/02/mid-feb/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 14:50:20 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[twitter]]></category>

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		<description><![CDATA[Hey all. Not much going on here, lots of homework but nothing of more general interest. Erm, follow me on twitter!]]></description>
			<content:encoded><![CDATA[<p>Hey all. Not much going on here, lots of homework but nothing of more general interest. Erm, <a href="http://twitter.com/skinofstars">follow me on twitter!</a></p>
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		<title>The ongoing saga of the iPlayer</title>
		<link>http://skinofstars.com/2007/12/the-ongoing-saga-of-the-iplayer/</link>
		<comments>http://skinofstars.com/2007/12/the-ongoing-saga-of-the-iplayer/#comments</comments>
		<pubDate>Wed, 19 Dec 2007 12:09:00 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[iplayer]]></category>

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		<description><![CDATA[Oh, what a treat&#8230; and just in time for Christmas! I am very pleased to find that the BBC has finally indulged my fetish for organic software by releasing a flash streaming version of their iPlayer. Though of course flash isn&#8217;t homespun in itself, it is cross platform compatible and so both myself and all those other &#8216;nix and Mac<a href="http://skinofstars.com/2007/12/the-ongoing-saga-of-the-iplayer/"> ...&#160;Read the remaining 40 words</a>]]></description>
			<content:encoded><![CDATA[<p>Oh, what a treat&#8230; and just in time for Christmas! I am very pleased to find that the BBC has finally indulged my fetish for organic software by releasing a flash streaming version of their <a href="http://www.bbc.co.uk/iplayer">iPlayer</a>.</p>
<p>Though of course flash isn&#8217;t homespun in itself, it is cross platform compatible and so both myself and all those  other &#8216;nix and Mac users out there can watch the last seven days of BBC content without the need for any of that Windows tosh! Not a Vista in sight! I need never miss another episode of Cash In The Attic again. Hurrah!</p>
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		<title>BBC iPlayer</title>
		<link>http://skinofstars.com/2007/11/bbc-iplayer/</link>
		<comments>http://skinofstars.com/2007/11/bbc-iplayer/#comments</comments>
		<pubDate>Sun, 18 Nov 2007 11:19:00 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[debian]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[iplayer]]></category>
		<category><![CDATA[solaris]]></category>

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		<description><![CDATA[In a follow-up to my previous post regarding the incompatibility of the new BBC iPlayer I recently found an interview on backstage.bbc in which the developers of the iPlayer and representatives from the Open Source Consotium and the Open Rights Group discuss this very topic. It would seem that the general consensus is that release of the iPlayer to be<a href="http://skinofstars.com/2007/11/bbc-iplayer/"> ...&#160;Read the remaining 99 words</a>]]></description>
			<content:encoded><![CDATA[<p>In a follow-up to <a href="http://skinofstars.blogspot.com/2007/06/bbc-in-bed-with-ms.html">my previous post</a> regarding the incompatibility of the  new BBC iPlayer I recently found an interview on <a href="http://backstage.bbc.co.uk/news/archives/2007/11/interview_with_1.html">backstage.bbc</a> in which the developers of the iPlayer and representatives from the Open Source Consotium and the Open Rights Group discuss this very topic. It would seem that the  general consensus is that release of the iPlayer to be bound to one operating system was in many ways a demonstration of the problems with DRM (Digital Rights Management) and thankfully just a stepping stone to more open access, initially through streaming and then hopefully to more open access.</p>
<p>Interestingly enough the developers pointed out that it is only a very small piece of the whole delivery system that was written in a proprietary format, namely the bit that goes on your computer. Over 90% of the system is running on Solaris  with many of the developers using Debian based systems.</p>
<p>Ok Tony, off you go&#8230;.</p>
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		<title>Why Facebook has Jumped The Shark</title>
		<link>http://skinofstars.com/2007/09/why-facebook-has-jumped-the-shark/</link>
		<comments>http://skinofstars.com/2007/09/why-facebook-has-jumped-the-shark/#comments</comments>
		<pubDate>Mon, 24 Sep 2007 11:56:00 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Internet]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[pointlessness]]></category>
		<category><![CDATA[socialsites]]></category>

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		<description><![CDATA[Today Eastcliff Richard and I became &#8216;friends&#8217;. I think this is a familiar expression in the world of social networking. In this instance it was on probably the most highly publicised site of recent months, Facebook. This has got me thinking a little more about a site which I once thought was pretty neat but I now avoid like Margate!<a href="http://skinofstars.com/2007/09/why-facebook-has-jumped-the-shark/"> ...&#160;Read the remaining 421 words</a>]]></description>
			<content:encoded><![CDATA[<p>Today Eastcliff Richard and I became &#8216;friends&#8217;. I think this is a familiar expression in the world of social networking. In this instance it was on probably the most highly publicised site of recent months, Facebook. This has got me thinking a little more about a site which I once thought was pretty neat but I now avoid like Margate!</p>
<p>I like to think of myself as an early adopter. I certainly try to be, signing up to many new social webservices before anyone else has signed up and as such unlikely there being any point in being there. With Facebook I&#8217;d tried to sign up a couple of years ago but you needed a uni email so I couldn&#8217;t. When I came to Oxford though it was just at the start of the Facebook wave so naturally I signed my name on the dotted line.</p>
<p>I&#8217;d spent some time in the garish environment of MySpace for a few years (the de facto social site of Thanet rock) and so enjoyed the simplicity of Facebook. It had plain white pages, minimally organised small photos, a wall, some groups and the occasional poke. It was simple and I thanked it for that.</p>
<p>Then at the same time as the wave of new uni kids they opened up registration to the site to anyone with an email address. Now we get all the guys who are using it at uni telling their friends back home to come join and things started to snowball. As of today Facebook is now in the <a href="http://www.alexa.com/site/ds/top_500">top ten global Alexa ranked sites</a>. Its still not caught Myspace but its not got much further to go and if the rate that my new friend requests come in I doubt it will be much longer.</p>
<p>So here is where I think the problem lies. Facebook was successful because it differed from Myspace. It did offer a more peaceful approach to social networking but now they have opened up the site to third party applications, the likes of Zombie Biters, Booze Mailers, Super Pokers and any other stupid thing you can think of. Here is where the problem of being open to anyone with an email comes in. These applications are further propagated by people who are wasting away their work day. Now when I go to a users page I struggle to find their wall for all the other trash that&#8217;s littered over it. Infact, I can&#8217;t even use my own inbox without having to spend half an hour clearing it of stupid invites.</p>
<p>Facebook may not yet have reached user saturation, but it is certainly reaching the end of its usability. It makes me wonder what site will be the next big thing, its certainly time to start looking out for it. Hopefuly people will come back to blogs and forums, at least they have some substance and in many cases proved sustainabilty.</p>
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		<title>Peter and the Nude</title>
		<link>http://skinofstars.com/2007/06/peter-and-the-nude/</link>
		<comments>http://skinofstars.com/2007/06/peter-and-the-nude/#comments</comments>
		<pubDate>Wed, 13 Jun 2007 04:00:00 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Media]]></category>

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		<description><![CDATA[It would seem that Peter Checksfield has made a real impact on the local press and people after a skim through Thanets raciest paper, the TT. Now it would seem to me that people do get the most worked up over a bit of nudity]]></description>
			<content:encoded><![CDATA[<p>It would seem that Peter Checksfield has made a real impact on the local press and people after a skim through Thanets raciest paper, the TT. Now it would seem to me that people do get the most worked up over a bit of nudity</p>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Thats my name!!!</title>
		<link>http://skinofstars.com/2007/03/thats-my-name/</link>
		<comments>http://skinofstars.com/2007/03/thats-my-name/#comments</comments>
		<pubDate>Tue, 27 Mar 2007 14:00:00 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[skinofstars]]></category>

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		<description><![CDATA[I seem to be involved in a bizarre case of identity theft. This is not the usual credit card scam though, oh no. I seem to have been dragged into the seedy underworld of Margaret Withers art. Yikes, I may have even been copyrighted! Oh the humanity!]]></description>
			<content:encoded><![CDATA[<p>I seem to be involved in a bizarre case of identity theft. This is not the usual credit card scam though, oh no. I seem to have been dragged into the seedy underworld of <a href="http://www.margaretwithers.com/SkinOfStars.htm">Margaret Withers art</a>. Yikes, I may have even been copyrighted! Oh the humanity!</p>
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		<slash:comments>2</slash:comments>
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